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Ultra-Low Noise Design 24-Input 4-Bus Studio/Live Mixer with XENYX Mic Preamplifiers, British EQ and Dual Multi-FX Processor
Premium ultra-low noise, high-headroom analog mixer
16 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Neo-classic "British" 3-band EQs with semi-parametric mid band for warm and musical sound
2 independent studio-grade 24-bit stereo FX processors with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
High-precision 9-band stereo graphic EQ allows precise frequency correction of monitor or main mixes
Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies
Peak LEDs, Mute, Main mix and subgroup routing switches, Solo and PFL functions on all channels
2 fully featured stereo input channels with 4-band EQ plus 2 additional stereo input channels with Level and pre-fader Aux controls
Inserts on each mono channel and main mix for flexible connection of outboard equipment
4 Subgroup outputs and additional Mono output with sweepable Low Pass filter for subwoofer application
4 Aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
Balanced Main mix outputs with 1/4" jack and gold-plated XLR connectors, separate Control room, Headphone and stereo Tape outputs
Solo-In-Place and Pre-Fader-Listen functions plus full-featured Talkback section
Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs
Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
Effective FX
The SX2442FX features not one, but two of our 24-bit dual-engine stereo FX processors – with 99 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects. Complete with a highly accurate input meter, these studio-grade effects provide stunningly-professional results, and can be routed to a wide range of destinations, ensuring the ultimate in versatility.
FBQ - Totally Feedback-Free
For more than 20 years, Behringer has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System in this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!
Mono Inputs
Microphone inputs (XENYX Mic preamp)
Type
XLR connector, electronically balanced, discrete input circuit
Mic E.I.N. (20 Hz - 20 kHz)
@ 0 Ω source resistance
-134 dB / 135.7 dB A-weighted
@ 50 Ω source resistance
-131 dB / 133.3 dB A-weighted
@ 150 Ω source resistance
-129 dB / 130.5 dB A-weighted
Frequency Response
<10 Hz - 160 kHz
-1 dB
<10 Hz - 200 kHz
-3 dB
Gain range
+10 dB to +60 dB
Max. input level
+12 dBu @ +10 dB GAIN
Impedance
approx. 2.6 kΩ balanced
Signal-to-noise ratio
110 dB / 112 dB A-weighted (0 dBu In @ +22 dB GAIN)
Distortion (THD + N)
0.005 % / 0.004 % A-weighted
Line Input
Type
¼" TRS jack, electronically balanced
Impedance
approx. 20 kΩ balanced, approx. 10 kΩ unbalanced
Gain range
-10 dB to +40 dB
Max. input level
+22 dBu @ 0 dB GAIN
Fade-Out Attenuation (Crosstalk Attenuation)
Main fader closed
90 dB
Channel muted
84 dB
Channel fader muted
85 dB
Frequency response (Mic In ➝ Main Out)
<10 Hz - 90 kHz
+0 dB / -1 dB
<10 Hz - 160 kHz
+0 dB / -3 dB
Stereo Inputs
Type
2 x ¼" TRS jack, balanced
Impedance
approx. 20 kΩ balanced, approx. 10 kΩ unbalanced
Gain range
-20 dB to +20 dB
Max. input level
+22 dBu @ 0 dB GAIN
CD/Tape In
Type
RCA connector
Impedance
approx. 10 kΩ
Max. input level
+22 dBu
Equalizer
EQ Mono Channels
LOW
80 Hz / ±15 dB
MID
100 Hz to 8 kHz / ±15 dB
HIGH
12 kHz / ±15 dB
LOW CUT
80 Hz, 18 dB/oct.
EQ Stereo Channels
LOW
80 Hz / ±15 dB
LOW MID
500 Hz / ±15 dB
HIGH MID
3 kHz / ±15 dB
HIGH
12 kHz / ±15 dB
Main Outputs (XLR)
Type
XLR connector, electronically balanced
Impedance
approx. 240 Ω balanced, approx. 120 Ω unbalanced
Max. output level
+28 dBu
Main Outputs (¼")
Type
¼" TRS jack, electronically balanced
Impedance
approx. 240 Ω balanced, approx. 120 Ω unbalanced
Max. output level
+28 dBu
Main Inserts
Type
¼" TRS jack, unbalanced
Max. input level
+22 dBu
Mono Output
Type
¼" mono jack, unbalanced
Impedance
approx. 120 Ω
Max. output level
+22 dBu
Low pass
variable, 30 Hz to 200 Hz, 18 dB/oct.
Phones/CTRL Room Output
Type
¼" TRS jack, unbalanced
Max. output level
+19 dBu / 150 Ω (+25 dBm)
CD/Tape Out
Type
RCA connector
Impedance
approx. 1 kΩ
Max. output level
+22 dBu
DSP
Type
Texas Instruments
Converter
24-bit delta-sigma, 64/128-times oversampling
Sampling rate
46 kHz
Main Mix System Data (Noise)
Main mix @ -∞, channel fader @ -∞
-100 dB / -102.5 dB A-weighted
Main mix @ 0 dB, channel fader @ -∞
-82 dB / -85 dB A-weighted
Main mix @ 0 dB, channel fader @ 0 dB
-72 dB / -75 dB A-weighted
Power Supply
Power consumption
50 W
Fuse (100 - 240 V~, 50/60 Hz)
T 2,0 A H 250 V
Mains connector
Standard IEC receptacle
Physical/Weight
Dimensions (H x W x D)
100 x 682 x 410 mm (3.9 x 26.9 x 16.1")
Weight (net)
8.6 kg (19 lbs)
