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Midas Mixer DM16 16輸入 14channel 調音台

Midas Mixer DM16 16輸入 14channel 調音台

◆12個單輸入聲道和2立體聲
◆麥克風前置放大器
◆堅固底盤結構增加耐用性
◆適合大型演出及錄音室使用
◆尺寸95 x 438 x 370mm
◆淨重5kg

HK$2,750.00
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商品描述

香港代理行貨~原廠保證,原廠保養



DM16
The compact DM16 honours your stage or studio desktop space, while providing incredible sonic performance, amazing versatility – and an unheard of level of affordability.

What is the secret behind DM16’s superb, studio-quality sound? The DM16 features 12 award-winning, MIDAS microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 16 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an analogue work of art – the fully featured DM16!




Live Performance and Studio Recording
With 16 channels, the DM16 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances




Dedicated Stereo Inputs
Line channels 13/14 - 15/16 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.





Sublimely Musical British EQ
The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM16 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.



Mono Inputs

Mic inputs (MIDAS mic preamp)
12

Type
XLR, balanced

Mic EIN @ 60 dB gain, 50 ? source at insert send
-131 dBu, unweighted, 20 Hz to 20 kHz

Mic EIN @ 60 dB gain, 150 ? source at insert send
-128 dBu, unweighted, 20 Hz to 20 kHz

Noise @ 10dB Gain, at insert send
-97 dBu, unweighted, 20 Hz to 20 kHz

Frequency response (-1 dB) at main output
20 Hz to 20 kHz (-1 dB)

Frequency response (-3 dB) at main output
70 kHz (-3 dB)

Mic Gain range
+10 dB to +60 dB

Max. input level
+11 dBu @ +10 dB gain

CMRR @ +60dB gain
Typically -90 dB

Impedance
2 kO, balanced

Distortion (THD+N) at 0 dBu
0.005% @ 1kHz

Phantom power
Switchable, +48 V

Line Input

Type
¼" TRS, balanced

Impedance
20 kO balanced / unbalanced

Line Gain range
-10 dB to +40 dB

Max. input level
+30 dBu

Stereo Inputs

Type
4 x ¼" TRS connector, balanced

Impedance
20 kO balanced / unbalanced

Gain range
-20 dB to +20 dB

Max. input level
+21 dBu

Equaliser

Low
±15 dB @ 80 Hz, shelving

Mid (mono inputs only)
±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric

High
±15 dB @ 12 kHz, shelving

Main Out

Type
2 x XLR, electronically balanced

Impedance
100 O balanced, 50 O unbalanced

Max. output level
+21 dBu

Main Out Inserts

Type
2 x ¼" TRS connector, unbalanced

Max. input / output level
+21 dBu

Phones Output

Type
¼" TRS connector, unbalanced

Impedance
25 O

Max. output level
+21 dBu

2-Track Input

Type
2 x RCA, unbalanced

Impedance
20 kO

Max. input level
+21 dBu

Main Mix System Noise

Main mix @ -?, channel fader @ -?
-104 dBu, unweighted, 20 Hz to 20 kHz

Main mix @ 0 dB, channel fader @ -?
-91 dBu, unweighted, 20 Hz to 20 kHz

Main mix @ 0 dB, channel fader @ 0 dB
-84 dBu, unweighted, 20 Hz to 20 kHz

Power Supply / Voltage (Fuses)

Switch mode power supply
100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)

Power consumption
40 W

顧客評價

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