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BiG SiX is designed to enhance your production capabilities at any stage of the process. From the SSL console grade faders to the advanced monitoring section and 18 channels of analogue summing at mix-down, the meticulously selected feature-set found on BiG SiX brings almost limitless creative options and engineering authority from large-format SSL consoles to your desk-top.
Key features
Four SuperAnalogueTM Mic / line / Hi-Z / 48V / HPF and polarity switch
Four SuperAnalogueTM stereo line level inputs with dual mono switching
Built in 16 channel 96 Khz / 24-bit USB interface with advanced routing
Essential version of G-Comp Bus Compressor with 'Auto' release
3 Band SSL LF/MF/HF EQ on every channel
Classic SSL channel dynamics processing
Listen Mic Compressor
Dual independent headphone outputs with source matrix
100 mm console grade faders
Professional metering
Comprehensive monitoring section
Two stereo cue feeds
Bus B / Mute switching
Two fully balanced stereo external inputs
Up to 18 inputs at mixdown
Mix Bus inject for cascading additional SiX/BiG SiX
SSL Production Pack FREE with BiG SiX
We’ve been helping world-class artists, producers and engineers make great music and audio for decades. It's crucial to have the right tools for the job, so we’ve partnered with some of the industry's key brands to offer you the new SSL production Pack, bundled free with registered BiG SiX mixers.
Featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, bring your productions to life with the SSL Production Pack.
Bus Compressor
Strapped across the mix bus of BiG SiX is the legendary G Series Bus Compressor, ready to add drive, energy and that all important 'finished' sound to your productions.
Using exactly the same circuit topology as the original design found on the SL 4000 G-Series console, the Bus Compressor within BiG SiX has fixed 4:1 ratio, 30 ms attack and 100 ms release. These 'set and forget' settings are the go-to for many SSL large format console users, who will often engage the Bus Compressor very early in a session and build the mix into it.
The BiG SiX Bus Compressor features the renowned ‘Auto’ release setting, adding further flexibility to this essential version of the legendary glue and punch maker.
USB interface
BiG SiX contains a class compliant USB 96 Khz / 24 bit interface to connect to a PC or MAC. The interface is paired with 16 high quality A/D and D/A converters that are connected to the SuperAnalogueTM signal chain in BiG SiX. The first 12 channels are split across the first 12 inputs/outputs and can be switched pre/post fader. USB channels 13-16 route to/from External inputs and Master buses. Alternatively, sends 9/10 and 11/12 can be fed from the stereo cue buses. Perfect for additional ITB processing.
Preamps
Fast, detailed and very, very punchy. BiG SiX’s SuperAnalogueTM preamps are capable of comfortably handling a wide variety of microphones (including ribbon) thanks to their super wide gain range. They feature a dedicated line input with Hi-Z, 48V, high pass filter and polarity switch, and will get the absolute best out of your new and vintage instruments and line level sources.
Channel compressor
Smooth, refine and add character with classic SSL channel compression. The compressors program dependent attack time (8ms – 30ms), release time around 300ms and the gentle 2:1 ratio allow the compressor to work across a wide variety of content and makes up one of the three compression flavours BiG SiX offers.
3 band SSL EQ
The channel EQ on BiG SiX has its roots in SSL’s classic E series, matching its EQ curves on the broadest setting. It is a broad stroke three-band design with high and low shelving filters at 3.5 kHz and 60 Hz, adjustable from +15 dB to -15 dB of gain and a fixed Mid Frequency control at 700 Hz. The HF and LF bands can be independently switched between shelving and bell curves, and can be found on every channel of BiG SiX.
